Kino Lorber nabs 'Kumare'

Kino Lorber has bought U.S. rights for the documentary ''Kumare,'' which first demonstrated at South by Southwest this year. Pic's directed by Vikram Gandhi and produced by Brendan Colthurst and Bryan Carmel with the Disposable Television banner. The executive producer is Stephen Feder. Kino Lorber introduced the sale Thursday. After its world premiere at SXSW, ''Kumar '' received the festival's Audience Award for feature documentary. It won the Jury Prize for top Documentary Feature within the Even Caribbean Cruise ships Film Festival and carried out noisy . November at DOC New you are able to city in NY City. This deal was talked about between Kino Lorber Boss and Leader Richard Lorber, Cinetic's Dana O'Keefe and Vikram Gandhi. Kino Lorber will probably open ''Kumar '' country wide in May or June just before making the film on major VOD platforms through the summer season and early fall. Bond Strategy and Influence, which done ''Exit Using the Gift Shop,'' ''Senna'' and ''The Way,'' will probably be joining track of Kino Lorber round the theatrical relieve ''Kumare.'' ''Kumar '' can be a guru within the East who indoctrinated several fans within the civilized world -- as well as the alter ego of yank filmmaker Vikram Gandhi who inpersonated a spiritual leader regarding a social experiment designed to challenge most likely probably the most broadly recognized taboos: that basically a little ''1%'' can connect the comfort around the world with a greater energy. Contact Dork McNary at dork.mcnary@variety.com

CBS considers live-stream of 'Morning' show

Charlie Rose, Gayle King and Erica Hill will host 'CBS This Morning.'CBS is considering a plan to make its new ayemcast "CBS This Morning" available via Web streaming simultaneous with its live broadcast.Eye insiders emphasized that no final decision has been made but it is under consideration. Live streaming of a regular network program would undoubtedly raise some hackles with CBS affiliates, because it could draw viewers away from local stations. CBS would be able to restrict the stream by time zone, meaning that a viewer in Los Angeles would not be able to stream it until the show aired in its 7-9 a.m. slot on the West Coast."This Morning" is set to replace "The Early Show" on Jan. 9. The show will be anchored by Charlie Rose, Gayle King, and Erica Hill.

Oscar Index: Your Guess is As Good As Mine

The exhaustion levels are high and the confusion levels are even higher at Movieline’s Institute For the Advanced Study of Kudos Forensics, where the white-coated minions responsible for the Oscar Index have struggled to assay the state of the awards race through this week’s persistent turbulence. Read on for their results. [Click the graphs for full-size images.] The Leading 10: 1. The Artist 2. The Descendants 3. Hugo 4. The Help 5. Midnight in Paris 6. War Horse 7. The Tree of Life 8. Moneyball 9. Extremely Loud and Incredibly Close 10. Drive Outsiders: The Girl With the Dragon Tattoo; Harry Potter and the Deathly Hallows - Part 2; Bridesmaids; Tinker, Tailor, Soldier, Spy; The Adventures of Tintin: The Secret of the Unicorn; My Week With Marilyn; Margin Call Remember the good old days when all the noise we had to parse was the faint, fuzzy signal coming from the National Board of Review and a handful of other awards bodies? Those days are over: Led by the Broadcast Film Critics Association and the Los Angeles Film Critics Association, something like 400 critics groups selected their annual award-winners this week. The relatively incidental AFI 10-best list overlapped with those, and all were followed this morning by the Screen Actors Guild Award nominations — which, to be honest, felt like the equivalent of a bracket-busting day of upsets in the NCAA men’s basketball tournament. On the one hand, I love that we’re facing an Oscar season of utterly unsure things. This is the awards culture we should have: more movies to see, more movies to discuss, and tough choices across the board. On the other hand, the only votes that matter are those cast by the Academy, and beyond a few irretrievably sunk also-rans (cough, J. Edgar, cough), what’s to say they aren’t just going to default to the historical groupthink that can prevent such wild variations like those in the SAG, BFCA and other critical showcases? Why shouldn’t we think that, say, War Horse has the competition right where it wants it? I can think of a few reasons, actually: · SAG and the Academy share members. And the actors’ branch is the largest in the Academy. Thus the natural inclination of studios, distributors and other awards campaigners to scan right past the individual categories to the Ensemble nominations — which is to say, in admittedly generalizing terms, the film as a whole. Finding The Artist, The Descendants, The Help, Midnight in Paris and Bridesmaids (!) in that class doesn’t necessarily guarantee anything come Oscar-nomination morning, and it certainly doesn’t mean that War Horse or Moneyball are in grave danger with a flexible number of Best Picture nominations. But it does illustrate what an very influential voting bloc is thinking in mid-December, and it underscores what specific work campaigners have cut out for themselves in the month ahead. · Heat rises. The Ides of March and J. Edgar fell off the pace not for lack of trying; in fact, neither Sony nor Warner Bros., respectively, have yet abandoned their sweeping awards campaigns for each. They fell off because neither film has even scratched the zeitgeist compared to films like The Artist, The Help, Midnight in Paris and — I can’t believe I’m about to write this — Drive. I mean, we knew it had art-house appeal, but what we didn’t know was the quality and volubility of its devotees. And I’m not even counting the BFCA’s Critics Choice Awards, which bestowed eight nominations on Nicolas Winding Refn’s violent, moody thriller; Oscar oracle Mark Harris also foresaw a comeback last week after an informal reader poll cited Drive — “by a landslide” — as the movie most deserving of a profile boost. SAG can snub Albert Brooks all it wants (and we’ll get to that in a bit), but it only galvanizes the faithful. That said, RuPaul “really loved” The Descendants, so maybe everyone just kind of broke even. · The variations aren’t that wild. Among all the winners and nominees remain the same high-functioning heavy-hitters we’ve seen populating the Index and every other Oscar barometer known to man. The most that you could say is that for every awards group that warmly embraces Hugo, another ignores it entirely. · We (still) look forward to the Daldry. Extremely Loud and Incredibly Close remains under such an airtight embargo that even Scott Rudin can’t talk about it. This one has Academy groupthink in its DNA — Stephen Daldry has notoriously earned three Best Director nominations in three tries, screenwriter Eric Roth has hardware for Forrest Gump and remains as A-list as it gets, Tom Hanks and Sandra Bullock and Scott Rudin are… well, Tom Hanks and Sandra Bullock and Scott Rudin — yet early word from critics and insiders sworn to secrecy is that it will be precisely as polarizing as it looks. Whatever. As far as I’m concerned, if you’re still on the sideline this late in the game, you’re either coaching or you’re a back-up. We’ll see which ELAIC is soon enough. · The Girl With the Dragon Tattoo is circling the drain. Steve Pond rounds up the awards-allergic consensus on David Fincher’s adaptation of the Swedish blockbuster — hardly a dismissal of the very, very good film so much as our reality check about a filmmaker who’s otherwise a perennial awards-darling. Unless… · Thursday’s Golden Globe nominations will shake things up yet again. I cant believe I spent more than even five minutes breaking all this down just so a roving gang of swag goblins can upend the whole thing tomorrow. Moving on! The Leading 5: 1. Michel Hazanavicius, The Artist 2. Alexander Payne, The Descendants 3. Martin Scorsese, Hugo 4. Steven Spielberg, War Horse 5. Woody Allen, Midnight in Paris Outsiders: Stephen Daldry, Extremely Loud and Incredibly Close; David Fincher, The Girl With the Dragon Tattoo; Nicolas Winding Refn, Drive; Tate Taylor, The Help; Bennett Miller, Moneyball; Tomas Alfredson, Tinker, Tailor, Soldier, Spy Did I mention the Golden Globes? Literally any of the directors cited above are fair game for nominations. But as things specifically pertain to the Oscar race… Enh, it’s pretty much the same. Scott Feinberg reminded us that despite zero membership overlap, the Best Picture nominations for both the Critics Choice and Academy Awards historically tend to coincide — which, as Academy history would have us believe, means that the top eight or nine directors here (give or take Fincher) are pretty much the ones we’ll see fighting for nominations of their own over the next five weeks. I know — I’m really going out on a limb here. Kudos forensics will only get us so far! Your guess is as good mine.

Access Hollywood Live Exclusive: Nicole Scherzinger To Do On X Factor

First Released: December 14, 2011 2:28 PM EST Credit: Access Hollywood Caption Nicole Scherzinger stops by Access Hollywood Survive December 14, 2011LOS ANGELES, Calif. -- Nicole Scherzinger will debut a completely new, never heard song on Thursdays The X Factor. The singer gave Access Hollywood Lives Billy Rose bush and Package Hoover the exclusive particulars about her performance. I'm carrying out tomorrow on X Factor, Nicole stated. Im really excited. Its a completely new flipping song. No ones heard it. I simply made it happen. Its like, literally hot. The brand new song can look on Nicoles approaching album, Killer Love. Its known as Pretty. I really like the song. Im really happy with it. Im carrying out it the very first time ever, she ongoing. Its just like a mid-tempo, nevertheless its good. Youre likely to like it. Billy also addressed the gossips that Nicole might be sent packing over the Atlantic for that UKs version from the reality singing competition. Are you back on X Factor the coming year? [You will find] silly gossips in regards to you visiting the United kingdom and Kelly Rowland coming here, Billy requested. No, that stuff is simply gossips, she stated. Thats all pretend stuff. The X Factor final four face off tonight at 8 PM on FOX. Copyright 2011 by NBC Universal, Corporation. All privileges reserved. These components might not be released, broadcast, rewritten or redistributed.

SAG Awards TV: 'Modern Family' Leads Nominations, 'Homeland' Snubbed

The first teaser for The Dictator starts out with clips of some of President Obama and Secretary of State Hillary Clinton, among other leaders, talking about the tyrant who must be stopped.our editor recommendsMegan Fox Joins Sacha Baron Cohen's 'The Dictator' (Exclusive)Sacha Baron Cohen's 'The Dictator' (First Look) That tyrant, General Aladeen, is played by Sacha Baron Cohen, who puts on the garb and a serious beard to portray an evil ruler of a fictional third-world country who is exiled to the U.S. The film is clearly a thinly veiled satire of the infamous and often strange behavior of certain leaders, including the late Saddam Hussein and Moammar Gadhafi. FIRST LOOK PHOTO: Sacha Baron Cohen's 'The Dictator' The film, which is also directed by Cohen, is inspired by the novel Zabibah and The King by Saddam Hussein. What else does the trailer show? A terrorist joke about the Empire State Building by John C. Reilly. A run-by-shooting on a track field. And sex with Megan Fox. In one of the funniest snippets, Fox is paid for sex with a handful of gems. PHOTOS: Sacha Baron Cohan and other Golden Globes Most Memorable Moments "What's this? A ruby? Is that a joke? What am I, a Kardashian?" she says. "No of course not, you're much less hairy," responds Cohen's character. The film, co-written by Cohen, is currently set for a May 11, 2012, release. Kim Kardashian Megan Fox Sacha Baron Cohen The Dictator John C Reilly

Will.i.am Sends Takedown Notice Over Megaupload 'Endorsement' Video (Exclusive)

Getty Images Universal has picked up North American rights to the untitled Angelina Jolie-Luc Besson drama. Jolie will star in the project, which is described as a "dramatic thriller with action."and is said to be a cross between Besson's own much-admired movies The Professional and The Fifth Element. Besson wrote the screenplay for the new project and will produce and direct. The studio is touting this as Besson's return to the genre in which he made his name. Universal picked up 80 percent of worldwide distribution rights to the project, which answers the question of what movie Jolie will do next. PHOTOS: Angelina Jolie and Hollywood's 10 Highest-Paid Actresses The actress, who has her directorial debut In the Land of Blood and Honey opening Dec. 23, has several projects vying for her attention. The high-profile ones include a biopic of Gertrude Bell and Scarpetta, the latter which is set up at Fox. Universal has been tracking the development of the Bell biopic, which has Ridley Scott attached to direct, and is hoping to land it. The new movie will begin shooting April 2012 in Paris. Email: Boyrs.Kit@thr.com Twitter: @Borys_Kit Angelina Jolie Luc Besson

ABC Daytime President Brian Frons Exits, Network Consolidates Daytime & Syndie Development In New Division

ABC Daytime president Brian Frons, a primary target of soap fans angry over the cancellation of the network’s veteran daytime dramas All My Children and One Life To Live, will depart ABC after the end of his contract in January, which coincides with the end of OLTL. The Disney/ABC Television Group will consolidate the development and current programming for daytime and syndication with the formation of Times Square Studios, a new division that will be added to the portfolio of ABC Entertainment Group president Paul Lee. It will be run by Vicki Dummer, SVP, Current Series & Specials, ABC Entertainment Group, who will be promoted to EVP, Times Square Studios, Current Series & Specials. She will also keep her existing responsibilities of head of current for ABC and will continue to report to Lee. (Frons used to report to Disney-ABC TV Group president Anne Sweeney.) With her background of a long-time ABC reality executive and co-head of the unscripted department, Dummer is a suitable choice to lead Times Square Studios as the division will focus its development in the areas of non-scripted lifestyle and health. (no more soaps!). The current series that will be folded in the new division going forward include ABC Daytime fare The View, General Hospital, The Chew and the upcoming The Revolution as well as the syndicated Katie and Who Wants To Be A Millionaire. Fellow syndicated series LIVE! with Kelly remains part of the ABC Owned TV Stations Group division. Ann Lewis Roberts, who has overseen development of syndicated programming for Disney’s Buena Vista TV, will serve as SVP, West Coast Current Programming & Development, Times Square Studios, while Abra Potkin has been hired as SVP, East Coast Programming & Development. Both will report to Ms. Dummer. Frons will assist in the transition to the new structure and will provide counsel to the management team. Brian Frons has been the driving force in our successful Daytime division since joining us in 2002, and while we understand his decision to leave at the end of his contract, were sad to see him go, Sweeney said. We took this opportunity to rethink our business, and the result was the creation of Times Square Studios. Having it be part of the ABC Entertainment Group, under the supervision of proven executives Vicki Dummer and Paul Lee, provides us the opportunity to bring greater creative resources, development strength and operational flexibility to this key area of our business. Frons has been at ABC Daytime for 9 years, for the past five-and-a-half years serving as president, Daytime, Disney/ABC Television Group, overseeing the creation and production of all programming on ABC Daytime, SOAPnet and ABC Media Prods. While my decision to try something new was not arrived at easily, nine years is a long time in television terms,” he said. Im proud of the performance of ABC Daytime over that time, and of all of the accomplishments that our team achieved along the way. Im especially pleased by the early results for The Chew and excited for the launch of The Revolution, which will be one more positive step in transforming ABC Daytime for our viewers. Ill miss my colleagues and the wonderful talent that makes our shows, but know they are in very capable hands with Vicki going forward. Cooking talk show The Chew, which replaced All My Children, has been doing well in the ratings, posting a series of all-time highs in the past few weeks. Still, he will remain in the annals of daytime history as the man who killed the soaps on ABC.

Brad Pitt Gives Pep Talk to Suicidal Moneyball Moviegoer

Brad Pitt Much like the come-from-behind Oakland A's general manager he played in Moneyball, Brad Pitt served as an inspiration for a troubled stranger at a recent movie screening, Us Weekly reports. During the Q&A portion of the screening, the man told Pitt, 47, that he had been feeling suicidal alone in his car before the film, but had "a renewed sense of hope" after watching the baseball drama at a screening in Culver City, Calif., on Sunday. Angelina Jolie: I'm very lucky I didn't die young "[Pitt] said, 'Look, man, life is up and down, it's a vicious cycle, but you have to go through it and deal with that,'" an observer tells the magazine. "'You can be down, but then you come back up again, and every failure can lead to success.'" Pitt, according to the witness, also stopped to talk with the man and offer more words of encouragement as he left the theater.

Parks and Rec: Kathryn Hahn to Recur; Louis C.K. Returning

Kathryn Hahn Kathryn Hahn is a free agent no longer. Less than two months after NBC axed her freshman comedy, Free Agents, Hahn has nabbed a recurring role on Parks and Recreation as a political operative, TVLine reports. NBC cancels Free Agents Hahn's character works for another candidate in the race for City Council, which includesLeslie (Amy Poehler).In addition, Parks and Recreation is also bringing backLeslie's cop ex-boyfriend, Dave, played by Louis C.K. The Louie star appeared in several episodes early in Season 2 before his character was transferred to San Diego. Watch full episodes of Parks and Recreation Hahn's first episode will air in early 2012, as will Louis C.K.'s return. Are you excited to see Hahn and Amy Poehler go head to head? Are you glad Louis C.K. is coming back?

The Toughest Oscar Category to hack... Is Better Original Score?!

As many of us prepare to provide thanks, some in our midst -- particularly youthful or more-and-coming film composers -- say please, as with, "Please Academy, provide us with an opportunity!Inchour editor recommendsFEINBERG FORECAST: 'The Artist,' 'The Descendants,' 'The Help' Atop Best Pic FieldTo Be An Academy awards Champion, Dress Like One in the GlobesTHR Poll: Oscar Audiences Prefer Eddie Murphy Over Billy Very as Show Host Why? Since the Academy permits one person to become nominated in excess of one film in the best original score category -- unlike its acting groups, but like its pointing along with other technical groups -- and also the Academy's music branch, which determines the course's nominees, has proven because a inclination every branch to make the most of that option. The end result, during the last couple of decades, continues to be that veteran large-title composers have ended up with multiple nods on the fairly consistent basis, while lesser-known emerging talent have battled to have their moment under the sun. PHOTOS: Backstage in the 83rd Oscars This season could end up being a tipping point for things, with numerous established veterans each within the running for multiple scores opposite numerous very worthy beginners. John Williams, perhaps the finest living film composer -- he's obtained a fantastic 40 best original score nominations, nine which have led to Academy awards -- has both War Equine and also the Adventures of Tintin within the running this season, and can almost surely be nominated for. He alone has already established two nods in a single year on eight previous occasions that arrived four different decades: 1969 (The Reivers and Goodbye, Mr. Chips), 1972 (Images and also the Poseidon Adventure), 1977 (Close Encounters from the Third Kind and The Exorcist), 1984 (Indiana Johnson and also the Temple of Disaster and also the River), 1987 (Empire from the Sun and also the Ghouls of Eastwick), 1989 (Born around the 4th of This summer and Indiana Johnson and also the Last Campaign), and 2001 (A.I.: Artifical Intelligence and Harry Potter and also the Wizard's Stone), and 2005 (Memoirs of the Geisha and Munich). Then, there's Alexandre Desplat, that has been nominated four occasions within the last 5 years (but has yet to win), that has produced four major scores this season, Very Noisy and extremely Close, The Ides of March, Harry Potter and also the Deathly Hallows: Part 2, along with a Better Existence Howard Shoreline, that has been nominated and won two times previously decade, that has both Hugo along with a Harmful Method and Alberto Iglesias, that has been nominated two times previously decade (but has yet to win), that has both Mess Tailor Soldier Spy and also the Skin My Home Is. PHOTOS: Oscar Show Moments After individuals four composers alone are paid for for, there might not be any space left within the category for other people! Nobody says that Williams or even the others must do what The famous host oprah Winfrey did in 2000 -- after accumulating 39 Emmys, along with a lifetime achievement award, she withdrew her title from future consideration -- even though it's worth observing that that's just what composer Hendes Zimmer, an eight-time nominee who won for that Lion King (1994), did this season, despite the fact that he'd have experienced at nods for four films, Rango, Pirates from the Caribbean: On Stranger Tides, Kung Fu Panda 2, and A Virtual Detective: A Game Title of Shadows. However, many youthful composers and publicists with whom I've spoken do believe it might be more proper -- making it more likely that more recent and/or never-before-nominated talent like Ludovic Bource (The Artist), High cliff Martinez (Drive, Contagion, The Lincoln subsequently Lawyer), Radiohead's Johnny Greenwood (We have to Discuss Kevin), John Byrne (Albert Nobbs), David Wingo (Take Shelter), Jonsi (We Purchased a Zoo), and Nathan Larson (Margin Call) would receive some attention -- when the Academy adopted exactly the same rule for the best original score along with other technical groups it is applicable towards the acting branches. Academy awards 2012

David Oyelowo Joins Steven Spielbergs Lincoln subsequently

EXCLUSIVE: David Oyelowo has became a member of the cast of Steven Spielberg’s Lincoln subsequently. He's headed to Virginia and can act as a cavalryman. Oyelowo takes the task as they’s at the same time shooting the Christopher McQuarrie-directed One Shot with Tom Cruise starring as Jack Reacher within the Lee Child novel series. Oyelowo plays charge detective looking into a sniper massacre in Pittsburgh. Oyelowo, last seen inRise from the Planet from the Apes and also the Help, lately wrapped the Lee Daniels-directed The Paperboy, playing a Pulitzer Prize-winning journalist who teams with another reporter to research the potential wrongful conviction of the killer. Matthew McConaughey, John Cusack and Nicole Kidman also star. Oyelowo will next be viewed starring in Red-colored Tails, the George Lucas-hatched drama in regards to a crew of Black aircraft pilots within the Tuskegee training course who persevered through segregation to have their opportunity to show their stuff up underneath the guidance of Col. A.J. Bullard. Oyelowo is repped by ICM, Inphenate and United kingdom-based Hamilton Hodell.

Channing Tatum, 'The Guy From U.N.C.L.E.'? Actor Latest Rumored for Steven Soderbergh's Reboot

Maybe 'The Guy From U.N.C.L.E.' is really a mans version of 'Pride & Prejudice & Zombies.' Just days after Bradley Cooper dropped from discussions to star within the Steven Soderbergh-directed reboot comes word that Channing Tatum is incorporated in the driver's chair for that role of Napoleon Solo. There is no offer yet, so don't beginning holding your breath or anything, but apparently Soderbergh and Tatum have struck up quite the connection around the group of 'Magic Mike,' a mans stripper drama the director according to Tatum's existence like a dancer. If Tatum occurs, he'll function as the third high-profile male connected to the project in certain capacity, following Cooper and original star George Clooney. (Clooney managed to move on due to a back injuries.) Vulture reported Joel Edgerton was involved with 'U.N.C.L.E.' too, but possibly for any different role. Expect farmville of musical chairs to finish shortly. [via Deadline] [Photo: Getty] Follow Moviefone on Twitter Like Moviefone on Facebook

Ask Matt: Big Bang, Grey's, Glee, Terra Nova and More!

Sandra Oh Send questions to askmatt@tvguidemagazine.com and follow me on Twitter!Question: Why do successful shows tinker with what is already working? Rules of Engagement has become "The Timmy Show," and The Big Bang Theory has become a show about Penny, Bernadette and Amy. What gives? - KellyMatt Roush: The easiest way to answer this question is to state a pretty obvious fact of TV life: If you don't tinker, you risk growing stale. In this case, tinkering means adding new characters along the way and expanding the world of a show, which is essential for most series, including sitcoms, especially when it's clear they're in it for the long run. You may be exaggerating where Rules is concerned - it's not a show I watch regularly - but it's not unusual for a breakout character to get more prominence as time goes on. Call it scene stealer-itis. But I do think you're misrepresenting the role of the girls' club within Big Bang. Penny has always been an essential element of the show, but adding Amy as a female foil for Sheldon and Bernadette as a love interest for Howard - and then having the three gals bond in a way that surprises themselves as well as the geek squad across the hall - has given the show many more comic avenues to explore. For me, this new blood enhances rather than diminishes the show. I find Amy hilarious, and the scenes where Bernadette channels Howard's mother, belying her meek demeanor, brings back fond memories for me of Georgia Engel on The Mary Tyler Moore Show. The fact that the females might even get an "A" story once in a while only shows how much they've grown on the audience and on the writers. If Big Bang was only going to deal with the four science nerds, it would risk burning itself out a lot more quickly. Thankfully, that's not going to happen.Question: How amazing were Sandra Oh and Kevin McKidd in that scrub room scene on Grey's Anatomy's fall finale? I'd be surprised if there's not an Emmy nomination for one or the other. - Maya (via Twitter)Matt Roush: That was a very effective and moving scene. Watching her meltdown from the other side of the window just added to the emotion of the moment. I thought McKidd was equally strong conveying the pain as he talked Teddy through her surgery while she babbled on about her husband, not knowing he'd just died. Moments like these are welcome reminders that Grey's Anatomy, despite its flaws and excesses, hasn't run out of gas (unlike Desperate Housewives, which is limping to the finish line this year). But expecting Emmy nods is only going to set you up for disappointment, I fear. While it's possible Oh in particular could get nominated again - she has five nominations already, but not since 2009 (and she won a Golden Globe in 2006) - the show has pretty much fallen off the Emmy radar over the last few seasons. But then, Loretta Devine won a guest-acting Emmy last year, so you never know. Cable shows have tended to upstage network dramas in the awards races lately, with only CBS' The Good Wife being a major contender from the broadcast side. And once a show falls out of favor, the real surprise is for it to be welcomed back to the party. Which is a roundabout way of saying that if Oh or her co-stars were to be nominated again, I'd be surprised, but not unpleasantly.Want more Matt Roush? Subscribe to TV Guide Magazine now!Question: Of course the Parents Television Council has gotten upset over the sex-centric Glee episode that aired last week. I'm not so concerned about that. What I do want to talk about is another area of the episode. I long ago realized that I should not expect Glee to adhere to any sort of realistic standard, and that's fine. But I do take issue with Artie's director's note to Rachel and Blaine, essentially saying that they can't play characters who have a sexual awakening because they haven't had one.I wrote to you two years ago this month when Glee aired its "Wheels" episode, focused on Artie's challenges relative to using a wheelchair and praised the show for its sensitive depiction of the issue. "Disability advocates" were making news talking about how an actor who is not actually disabled should not play a character with a disability because (I'm paraphrasing here) the role should be offered to a chair user who has that firsthand experience. As both a wheelchair user and a theater student, I believe saying that actors have to have the same experiences as their characters cheapens the whole concept of acting. Of course actors should find some way to connect emotionally to the journey of the character, but that doesn't have to be because they've lived the same thing. Glee has never been a realistic show, but it stunned me to watch Glee use Artie to make the very argument that Kevin McHale's impressive performance on the show defeats. Do the writers really not understand that it is the same argument?I know that the show had them go through with the West Side Story performance in spite of not having sex first, which proves they could do it, but still, this was a shockingly disappointing turn for a series I have always supported for its belief in the value of telling stories about anyone and by any means available. For the record, I have weathered the storm of Glee from the beginning and it's not always easy to come back to the show, but every time I think about giving it up, they have a lovely moment like the intercutting of "One Hand, One Heart" with the sexual material at the end of the episode or "Somewhere" reconceived as a mother-daughter duet a few episodes back. I just hate times like this when they destroy their own credibility because it makes it harder for me to trust that the show is going somewhere. - JakeMatt Roush: Even in the better episodes of Glee, which I felt last week's very much was, there's bound to be something to aggravate you, and you make an excellent point that Artie of all characters was the wrong person to send that misguided and ultimately meaningless direction. (For me, one of the biggest question marks this season is why they put the school musical in the hands of non-musical supervisors in the first place, when Idina Menzel's character had just come on staff to oversee that absurd rival glee club and must have had time on her hands. Oh well.) I'm with you, though, on how the special moments of Glee tend to get me past all the inconsistencies and foolishness. There's still no other show quite like it, and for that I forgive it a lot. But as you're about to read, not everyone is so generous.Question: I've finally gone and removed Glee from my DVR. The kicker was the Nov. 8 episode. When will audiences sit up and realize this show is an empty suit? It's barely progressive - when it isn't ramming stereotypes down our throats - and it gave up on any pretense to subversion with the second season. It's preachy and shrill. Characters are nonsensical, contradicting themselves from one episode to the next, and behave at the whim of the theme assigned to the episode. The development of story on this show is recycled at best, a joke at worst. On the sex episode, Mike Chang's plot was reduced to two scenes; one overwrought, one treacly, both painfully obvious. His story would be better served not featured at all until there's adequate time to address it. As produced, those scenes were shoehorned in and lacked any impact. This is typical of any story that does not directly involve Kurt or Rachel - and even those give me whiplash. About the only thing last week's episode got right was the insulated, dimly lit and sadness-tinged qualities common to so many of the small-town gay bars I've had occasion to visit over the years. I'm disappointed, as the show had heart and a ton of promise when it first debuted. But the smattering of great moments is not enough to keep me hanging on. Where are you on this, Matt? Am I out there on this limb by myself? - ChrisMatt Roush: As I noted earlier, I'm not ready to give up on Glee yet, though I am thinking twice about watching this week's Sue-centric episode, because ... well, Sue. But you're hardly alone. And we do agree on one thing, since I used the term "whiplash" in last Tuesday's review/overview to describe the experience of watching Glee this year. The ratings have cooled considerably, indicating last season's glaring flaws tested many fans' patience. And you're right that if those few moments in last week's episode were meant to be a payoff to Mike Chang's story, which began so memorably in the "Asian F" episode (the best of the season, along with "First Time"), it's too maudlin and not enough. (Though I imagine there will be more to come.) But when you complain that the show isn't "progressive" or "subversive" enough, I can't help thinking how far TV has come in the years I've been covering the beat. Back when I was writing about a cultural milestone like thirtysomething, and the industry went into convulsions over two men being shown in bed, if you'd told me someday two gay teens were going to have their first moment of (very discreet) intimacy played out against a "West Side Story" romantic classic, I'd have scoffed. Glee has pushed plenty of boundaries to do honor to its misfits and outcasts. It's far from a perfect show, but even if it never regains its initial mojo, it's still a significant one.Question: I'm wondering what your thoughts are on the new show Person of Interest. If I recall correctly, this is a show you enjoyed because it was a different kind of CBS crime procedural. As a big fan of Lost, I checked out the show because I couldn't wait to see Michael Emerson again. However, I was disappointed after the first episode and haven't watched an episode since. Now, I am not (and probably never will be) a big fan of CBS-like procedural dramas; I'm much more into serialized dramas like Lost, Friday Night Lights, Parenthood, etc. My question for you is this: Would it be worth my time to go back and catch up on Person of Interest? For me to truly enjoy a show, I need some sort of overarching storyline going on, even if it is sometimes overshadowed by case-of-the-week plotlines. I do enjoy shows like Chuck and Glee, that although there may be a new "mission" or "lesson" for each episode, there are certain things that must be caught up on in order to fully know what's going. I'd appreciate your thoughts on this. - BrandonMatt Roush: If you're expecting Person of Interest to be the next Lost, or more to the point the next Alias (given its pedigree), you're bound to be disappointed. There are some arc-like threads to the show, including the detective's pursuit of Reese and the murky back stories of Finch and Reese. I get a sense that some characters, like Paige Turco's "fixer" from a few weeks ago, could recur and become part of the show's fabric. But by and large, it is a self-contained procedural, though what sets it apart for me is the sense of urgency and mystery in each week's episode that goes beyond a standard crime drama. And I really enjoy watching Emerson and Jim Caviezel. To give you some perspective on why I would single a show like this out of the fall roster, I need to be able to appreciate the good, bad and in-between in all genres, and being this dismissive of the better procedurals wouldn't make sense. So my specific advice to you is to check out the listings and promos and wait for an episode that sounds particularly intriguing and give it another chance. It's very likely it still won't satisfy you, because of the preferences you've so clearly defined. But you could do far worse.Question: Like so many readers, I really enjoy your perspective on the ever-wacky world of television. I have a question - maybe more of a comment - about Terra Nova. I don't know that I had particularly high expectations for the show, but I did rather hope that it would make internal sense on some level. I can suspend disbelief as well as the next person, but I don't know how many more of those moments where I smack my head in frustration at the sheer stupidity I can endure. As an example: In last week's episode, Jim Shannon takes little Zoey to a super-secret private room containing all the knowledge of the universe (more or less). Okay, if these people had such an astonishing resource available to them, how come it's super secret? Wouldn't it be housed in some "museum of humanity" or "library of mankind" or something? Like little Zoey isn't going to go tell all her friends about the awesome day she spent with her dad in the secret room containing all knowledge? Also, if the super secret massive brain machine has its own separate power source such that the blackout of everything electronic in the compound wouldn't affect it, doesn't it make sense that the, I don't know, perimeter gate protecting the entire community might have a separate power source too so that everyone doesn't die from some random attack?And why would settlers in a hostile, primitive environment rely so extensively on technology in the first place, especially given that technology was the original reason for the ruination of the modern world? It seems like they might keep a few old-fashioned guns of some kind lying around in case of emergency. Anyway, I'm sure you see what I'm getting at. I don't seek perfection in a program like this, but neither am I dull-witted enough that throwing a few semi-cool special effects at me will make me forget the sheer illogic of everything taking place on screen. I'm getting really close to giving up on this show, frankly; I had expected something more from the creative minds behind this program. What say you, Matt? - AndrewMatt Roush: I say you're being a bit nitpicky, which is not the way to be watching Terra Nova, a show that pretty much demands you relax the critical part of the brain to sit back and enjoy a harmless hour of fantasy adventure. Although you make an excellent point about the colony being so tech-dependent, which is exactly the sort of observation someone should be making in this prehistoric world. (Which is why I think the Sixers may not entirely be the bad guys here.) Yes, I do wish Terra Nova were more sophisticated, less cartoonishly written and acted and way less pandering to the supposed adorability of the Shannon kids. But if I let myself dwell on things like the puzzle of that underground library for too long - and I may be wrong, but I didn't pick up on it being super-secret, just that Jim was introducing little Zoey to it for the first time - I probably would start to hate the show. Which I don't. It's fair to say that Terra Nova isn't yet living up to expectations, but it's far from a disaster, and I hope Fox gives it a second season in hopes of sharpening its act if not its brain.Question: I'm anxiously awaiting the start of The Firm since I love Josh Lucas and lawyer shows. Do you have any idea when it will begin airing? Also, is it true that 22 episodes have already been ordered for the first season? That doesn't sound right for a midseason replacement. - MaryMatt Roush: NBC originally announced The Firm would be part of the Sunday lineup (10/9c) after football season is over. But given how rocky NBC's fall has been, there's a chance (just speculating here) that we could see it airing on another night, such as Thursday, if/when they pull Prime Suspect. In any case, wherever it turns up, it won't be until January, and we won't have a specific airdate until NBC confirms its midseason plans. About the 22-episode order: That appears to be true, but wasn't really NBC's choice. From what I gather, the show was already pre-sold with a 22-episode commitment and foreign financing, designed by Sony to air on the company's international AXN service. So this brings down the cost of NBC's license fee, making it more attractive to the network regardless of how it performs. And it's hard to imagine The Firm doing any worse than what we've seen on the network so far this fall.Question: I was wondering if you have any insight into the programmers at The CW. I thought for sure they would cancel H8R early on and was hoping they might move a better show into that timeslot. But instead they have been re-airing Ringer. Would a fresh Nikita or Supernatural not be a better option in a prime-time midweek timeslot? Ringer repeats could easily fill the Friday slots. I am hoping that the ratings will improve if they move Nikita and Supernatural to a new night. I'd hate for either of those shows to be canceled because they are on a terrible night against so much similar sci-fi/action competition. - GeraldMatt Roush: This falls under the be-careful-what-you-wish-for heading. As we've often discussed in this column, expectations are mercifully low on Fridays, not that anyone expects much of anything on any night of the CW schedule. But moving Nikita to a midweek slot could prove even more damaging to the show if it were forced to face even stiffer competition on the big networks and be paired with something as incompatible as America's Next Top Model. Where Supernatural is concerned, it's one of those shows that just keeps chugging on, and at this point, I believe it will be up to the show's powers-that-be to decide when that ride is over. For The CW, the priority this fall is to get exposure for a new show like Ringer, which is why it was the most likely candidate to get a double-run in the H8R slot. I would like to see the network do more on behalf of Nikita, but I've always seen that show as meaning more to the parent company (Warner Bros.) than the network, and keeping it going so it can be sold to the international marketplace and eventually syndication/cable may be the reason it exists at all.Question: I read your latest Ask Matt column, when someone wrote in to talk about AMC and The Killing. I remember the big uproar over how Fringe and The Killing ended their seasons. Two of my favorite shows, and the latter was such a refreshing new take on a police drama. I thought The Killing ended perfectly. I guess I missed where the producers promised us at one time that the story would be resolved at the end of the season. My response: "So what?" Has the TV audience forgot what a cliffhanger is? I mean seriously. The creators of the show do this on purpose to build the buzz between seasons and to make the viewer excited for the show to start back up. Like with Fringe, when Peter suddenly did not exist anymore, people went crazy assuming that Joshua Jackson would no longer be on the show and other bizarre rationales. It is a cliffhanger, people! Let the shows' creators follow their vision so we can all go on a fun ride. Don't panic. I don't get it. I'm not sure what ruined the TV viewing audience, as they now need everything spelled out for them. I for one like shows that intrigue me every week, make for good discussion and conversations, etc.And I love the pacing of Homeland and The Walking Dead. I would love to have a conversation with someone who has thought Dead has been slow the last few episodes. Are they high? Some of the most gut-wrenching moments have happened and I'm blown away. Especially the episode with Shane and revealing how he survived. Also slowing the pace of the show gives the writers time to give us character development that I thought was badly lacking, as that was my majorgripe last season. With Homeland, I love the pacing of that show. And if the characters spin themselves around a few times, I have faith that it is a part of their planned story line and "gulp" could give us a nice cliffhanger to end the season. I guess we are dumb enough that we should only watch shows where the season finales are mundane, no questions asked and/or all questions answered. See you next season for the same old boring shows. Say Hi to CBS for me. - MarkMatt Roush: Regarding Homeland, was last night's episode a game changer or what? Even without the climactic reveal about the true identity of the sleeper agent, I can't get over how far they (meaning the writers) let Carrie and Brody carry on their beyond-inappropriate tryst. Wow. Addressing your larger issues: I don't know if the TV audience in general is more impatient and unforgiving when shows do things that throw them for a loop, but I do know they're a lot quicker about voicing their displeasure, frustration, confusion, etc., online. I agree that the weakest argument in the debate over The Killing's finale was that we were somehow promised something (but as previously noted, the producer did herself no favors by bragging about it afterward). But if shows are meant to inspire spirited debate, we need to let both sides be heard without mocking those with whom you disagree. Which is mostly why I find doing this column is such a highlight of any given week.Question: I like the writing and the premise of the CBS show A Gifted Man. How well is the show doing in its time slot, and will it last the rest of the season? - EricMatt Roush: In its time slot, it's winning, but that isn't saying much, given how poorly nearly everything performs on Fridays. Of all the networks, CBS tends to do well on the night, and if A Gifted Man isn't exactly doing gangbusters (especially in the demos), it's also handicapped by having to be a self-starter at the beginning of the night. So while the show isn't generating much buzz, it might not need to, and CBS owns and produces the show, which means the network may be more patient. But in the first rounds of renewals, when Unforgettable and Person of Interest got full-season pickups, A Gifted Man was not mentioned at all. So I'd still consider it very much "on the bubble" for making it through the season and certainly for renewal. But one piece of good news: Margo Martindale finally gets a prominent storyline this Friday, and it's about time.Question: I still think Ashton Kutcher would have been the perfect choice in replacing Charlie Sheen if the Two and a Half Men creators hadn't made his character of Walden into such a sad, pathetic lame brain. If it wasn't for Jon Cryer and the other hilarious co-stars, I doubt it would continue to be on my "must see" list any longer. Do you think Ashton will sign up for another year? The money is good, why not? Right? If so, I hope the writers give him a brain transplant, a hair cut and a clean shave. - EvaMatt Roush: Of all the things you can count on for next season, few are as dead certain as Ashton Kutcher sticking around for a second year of Two and a Half Men. The money is great, and the work clearly isn't all that taxing. I'm actually OK with the writers not making Walden a Charlie Harper clone, although he is an awfully passive vehicle for generating laughs. Couldn't agree more, though, that cleaning up his look might make him more agreeable company.That's all for now. Keep sending your comments and questions to askmatt@tvguidemagazine.com, and in the meantime, follow me on Twitter!Subscribe to TV Guide Magazine now!

Starz Developing Six-Hour Ottoman Empire Series (Exclusive)

Ann Peacock Starz is putting its lens round the Ottoman Empire. A guys-skewing cable network, through its co-production deal with BBC Worldwide Productions, is developing Harem, a potential six-hour series studying the reign of Sultan Suleyman the Magnificent as well as the increase and lower in the Ottoman Empire. The Tales of Narnia: The Lion, the Witch & the Wardrobe scribe Ann Peacock is near a deal to pen the project, which is founded on a geniune idea by Gina Gershon. STORY: Starz Renews 'Spartacus' for Third Season Harem would tell the story of Sultan Suleyman the Magnificent, a lengthy-reigning sultan in the Ottoman Empire who reconstructed its legislation and presided inside the fleet's annexation of a lot of the Middle East. The Starz project would focus on Roxelana, a stylish youthful slave girl whose ambitions understood no bounds and whose marriage to Suleyman started what increased being known to as "Reign of girls.In . STORY: Starz Sets 'Spartacus: Vengeance' Premiere, Releases New Footage The project would mark Peacock's return to television since her Emmy win for just about any Lesson Before Dying. Repped by CAA, Principato-Youthful and attorney Don Steele, Peacock is presently concentrating on Universal's Cinderella. Harem would mark the second project beneath the Starz-BBC co-production deal the cable internet bought David Goyer's eight-episode Da Vinci's Demons historic drama in October. The project would also continue the premium cable's romance while using sword-and-sandals genre. The network finds success with Spartacus which is various incarnations. Starz declined comment. Email: Lesley.Goldberg@thr.com Twitter: @Snoodit Starz! TV Development

Woody Harrelson is a Psychopath, and 5 Other Stories You'll Be Talking About Today

Happy Thursday! Also in today’s edition of The Broadsheet: Remembering new Oscar producer Brian Grazer’s own “gay” controversy… The Criterion Collection comes to iTunes (but not without issues)… Clint Eastwood’s thing for Herman Cain… and more. · Woody Harrelson has joined the cast of Seven Psychopaths, which reunites In Bruges writer/director Martin McDonagh and star Colin Farrell in the story of a screenwriter (Farrell) seeking inspiration for his next script. When that inspiration arrives in the form of a dognapping caper targeting a psycho gangster (Harrelson), all hell breaks loose. Tom Waits, Sam Rockwell and Christopher Walken are signed up as well — should be a hoot and a half. [Deadline] · I hate to bring this up so soon after Brian Grazer landed his new Oscar producing gig, but remember that whole flap that came down last year around the trailer for Grazer and Ron Howard’s film The Dilemma? The one where Vince Vaughn’s character called electric cars “gay”? And which Universal pulled from circulation? It’s like dj vu all over again! Except this time you should shoot me in the face, seriously, just make it stop. [LAT] · There’s good news and bad news for fans of the Criterion Collection: The good news is that you can now rent and/or buy a selection of the distributor’s titles on iTunes. Alas, the selection is woefully small (under 50 films!) to start with, and purchases don’t include the special features that arguably make Criterion what it is in the first place. Oh well! Baby steps, etc. [/film] · As foreseen, remake plans for the Toronto Film Festival sensation The Raid have trickled from rightsholder Sony Worldwide Acquisitions Group to its affiliated genre kingpins Screen Gems. Gareth Evans, who wrote and directed the Indonesian action spectacle, will executive produce. [Deadline] · “I love Cain’s story,” Clint Eastwood has said of the dark horse GOP presidential contender Herman Cain. “He’s a guy who came from nowhere and did well, obviously against heavy odds. He’s a doer and a straight-talker, which I don’t see enough of from either party.” Doer? Cain hardly knew her! Ahem. [LAT] · Speaking of GOP presidential candidates, RIP Rick Perry. Good luck finding a more cringe-inducing self-destruction. Relive the anguish below, and check out Andrew Sullivan’s terrific debate liveblog for a full recap. [The Daily Beast]

Ricky Gervais & NBC Appear Ready For 3rd Golden Globes Stint: But Will HFPA Agree?

As the long courtship and quick departure of Oscar host-to-be Eddie Murphy proved this week, suitable hosts for major awards shows aren’t found easily. So the Hollywood Foreign Press Association may want to hold onto two-time Golden Globes host Ricky Gervais. NBC has always wanted him back and Gervaisin Augustannounced that the network had invited him to return as the Golden Globes host. He confirmed that to Access Hollywood tonight, singling out the HFPA as the holdout. I think NBC wants me to do it, but [the] Hollywood Foreign Press have got to want me as well, he said. Its their event. Its their party. The sides are talking, albeit informally, and Gervais recently dined with reps for both NBC and HFPA in Paris. But with only 2 months to go until the January 12th event, the HFPA has got to make its move soon before Gervais changes his mind again. Or gets invited by the Academy Of Motion Picture Arts & Sciences for the Oscar hosting gig that is also vacant. Gervais tonight said (maybe joking, maybe not) that he could host both awards events at a discount price. There is also the issue of potential celebrity defections if Gervais returns as host, as Hollywood star power has been the Globes biggest draw. I hear that so far there is only one A-lister who is threatening not to attend if Gervais emcees. Of course, the Industry cant forget how much his second stint as Globes host last year stirred the pot with blunt one-liners targeting big-name celebrities attending the event and even the controversial HFPA itself sponsoring the show. Later, the HFPA reps distanced themselves from Gervais, saying that he went too far and crossed the line. That lingering resentment seems to be the obstacle to a formal offer for Gervais to return as a Golden Globes host. The British comedian was originally signed by NBC to a 2-year deal. The network could revert to the Golden Globes longtime no-host format but doesnt want to. That practice came to an end when Gervais was hired. Gervais at first dismissed the possibility of a three-peat immediately after his second time hosting. But he has been gradually warming up to the idea. In all recent interviews, Ricky has shown an eagerness to return as emcee. He confirmed to Access Hollywood tonight that he hasnt been officially offered the job yet but admitted that the idea of going back behind the podium is very tempting.

Joss Whedon Describes His Bleeding Heart, Jolie-Esque Wonder Woman Script

When Joss Whedon first dropped Angelina Jolie’s name while talking up his doomed Wonder Woman project, folks assumed he’d envisioned her in the lead role. Speaking with Rookie Magazine, he clarified: His Diana Prince, Amazon goddess, was merely Angelina-esque in her globe-trotting humanitarian leanings. And in a way, the superheroine would have been saved by love. Whedon explains after the jump. “She was a little bit like Angelina Jolie,” the Avengers director said. “She sort of traveled the world. She was very powerful and very nave about people, and the fact that she was a goddess was how I eventually found my in to her humanity and vulnerability, because she would look at us and the way we kill each other and the way we let people starve and the way the world is run and she’d just be like, None of this makes sense to me. I can’t cope with it, I can’t understand, people are insane.” “And ultimately her romance with Steve was about him getting her to see what it’s like not to be a goddess, what it’s like when you are weak, when you do have all these forces controlling you and there’s nothing you can do about it. That was the sort of central concept of the thing. Him teaching her humanity and her saying, OK, great, but we can still do better.” So, kind of like Leeloo meets Thor meets Angelina the ambassador? Long for what might’ve been all you want, but I’d prefer a take (maybe Nicolas Winding Refn’s?) that doesn’t involve the awesomest Amazonian superheroine that ever was learning vulnerability and weakness from her boyfriend. [Rookie via Cinema Blend]

'The Hobbit' Behind-the-Moments Video: Jackson Describes 3d

Wow, Brett Ratner. Wow. "We used so far Olivia Munn, I am likely to be honest with everyone here. However, if she was 'Lisa.' She wasn't Asian in individuals days,Inch the 'Tower Heist' director mentioned on 'Attack in the Show.' "She was going out in my number of 'After the Sunset,' I knocked her a few occasions, however did not remember her. Because she changed her title. I didn't understand it was the identical person and therefore when she auditioned personally for just about any Tv program, I did not remember her, she got pissed off, and therefore she composed every one of these tales about me eating shrimp and self pleasuring throughout my trailer. And he or she discussed my flaws.Inch The flaws: in their memoir, 'Suck It, Question Lady: The Misadventures from the Hollywood Geek,' Munn revealed an not named director attracted out his member before her while eating a jumbo shrimp. "A grown guy inside an extra-large t-shirt holding his undersized manhood in hands sparkling with shrimp body body fat," she written. Evocative! You will see the segment from 'Attack in the Show' below. Ratner starts along with his story at 3:45. [Gawker via Movieline] [Photo: Getty] Follow Moviefone on Twitter Like Moviefone on Facebook RELATED

9 Milestones in the Evolution of Eddie Murphy

In this weekend’s Tower Heist, Eddie Murphy stars as as a benevolent crook who helps a few Ponzi scheme victims attempt to recover their money. So how did a Brooklyn-area stand-up transform himself into an ’80s comedic superstar, an unexpected dramatic talent and this February, an Academy Award host? You can always trace a direct line through a few important roles to illustrate what led to an actor’s current success. As such, let’s look at nine pivotal performances that track the evolution of Eddie Murphy. Saturday Night Live (1980) After spending his early years studying the comedy routines of Bill Cosby and Richard Pryor, the Brooklyn-raised stand-up scored his big break at the age of 19 when he was selected as a Saturday Night Live cast member. Because of his hit characters Gumby, Buckwheat and Mr. Robinson — in addition to his impersonations (like that of James Brown below) — Murphy is partially credited for rejuvenating the series after its first slump. 48 Hrs (1982) Two years later, Murphy made his big screen debut opposite Nick Nolte in Walter Hill’s film 48 Hrs, which is regularly cited as the first film in the buddy cop genre. Thanks in part to the chemistry between Nolte and Murphy — who improvised most of their scenes together — the film was a critical and box office success. In his review of the movie, Roger Ebert wrote that “sometimes an actor becomes a star in just one scene. […] And in 48 Hrs., it happens to Eddie Murphy.” The scene he was referencing of course is the one where Eddie’s reformed convict Reggie Hammond impersonates a cop in a bar full of rednecks to force information out of a bartender. Enjoy the star-making moment below. Bonus trivia: Nolte was scheduled to host Saturday Night Live as part of his promotional duties, but when he dropped out unexpectedly, Murphy filled in for him, becoming the first and only cast member to ever host while still a regular cast member. Beverly Hills Cop (1984) After the follow-up success of Trading Places with Dan Aykroyd, Paramount signed the 23-year-old actor for a $25 million, six-picture deal. The first film in that studio deal was Beverly Hills Cop, the Martin Brest comedy which was originally slated to star Sylvester Stallone. After major rewrites, Murphy jumped on board as a Detroit detective who moves to Beverly Hill to solve the murder of his best friend. Already a star in the U.S., Beverly Hills Cop established Murphy as an international star while grossing over $300 million worldwide and inspiring two sequels. Harlem Nights (1989) Following Beverly Hills Cop II and the dud The Golden Child — another comedy that starred Murphy as a wise-cracking detective — Murphy used his studio deal to make his directorial debut with the gangster comedy-drama Harlem Nights, which he also wrote and starred in opposite his comedy idol Richard Pryor. The 1930s crime film chronicled the adventures of a father (Pryor) and son (Murphy) and the gangsters and corrupt badges they regularly contend with as the owners of a Harlem nightclub. Even though Harlem Nights was a box office success, it was ravaged by critics who called the project an expletive-laden ego trip (Murphy’s name was listed five times in the credits as director, executive producer, writer, star and namesake of Eddie Murphy Productions). For his work in Harlem Nights, Murphy earned a Razzie for Worst Screenplay and a Razzie nomination for Worst Director. Murphy never directed again. Boomerang (1992) After a mediocre 48 Hours sequel transitioned Murphy’s career into official “slump” territory, the actor took two years off from film to recharge his batteries. When he returned, it was for his first romantic lead role in Boomerang, the film that helped — for lack of a better word — boomerang the actor’s career back on track. As a chauvinistic ad exec who is humbled by his female equivalent (Robin Givens), Murphy displayed a gentler side of himself that audiences had not seen before while retaining that trademark grinning Murphy charm.

'Real Steel' tops overseas box office

Local fall holidays in a few areas saved overseas box office clicking over an March. 14-16 weekend that saw DreamWorks' "Real Steel," distribbed worldwide by Disney, lead all photos, with $23.3 million. The very first launch of "The Three Musketeers" via various local distribs, and Universal's "Johnny British Reborn" acquired well. "Musketeers," which Summit launched Stateside on March. 21, bowed in 20 overseas areas, dicing $17.7 million for just about any cume of $43.5 million after 72 hours, while "Johnny British" ongoing to learn from an worldwide rollout timed to coincide while using holidays, spying $17.2 million for just about any cume of $85.millions of after 5 days. By 50 Percent days, "Real Steel" has collected $56.6 000 0000 worldwide from 28 worldwide areas (41% in the total), with approaching bows in South usa and France. The robo-pic ongoing to top the B.O. within the second weekend in Russia and Mexico. In Russia, it made $4.7 million (beating "Musketeers," which first demonstrated to $3.7 million) and contains cumed $15 million. In Mexico, "Real Steel" hit up $2.7 million visiting some cume of $7.2 million. Among the notable debuts for "Musketeers," Italia brought a chart-topping $2 million through local distrib 01 Distribuzione, while U.K. auds compensated out $2.3 million via eOne Films, putting the film at No. 3 because market. Blightly brought the most effective weekend gross for "Johnny British," $5 million, repping 29% in the market's overall B.O., with summer time break poised to begin now. The pic has cumed $15.2 million after 2 days inside the territory. "Johnny British" also rose to No. one in the German B.O., getting a soph-sesh gross of $2.6 000 0000 ($7 million cume). Pic accomplished good success from students still on vacation. In Nz, the Rowan Atkinson-starrer rose 32% within the second week. Contact Andrew Stewart at andrew.stewart@variety.com

WME Signs Tony DiSanto & Liz Gateley

EXCLUSIVE: Former top MTV professionals-switched-producers Tony DiSanto and Liz Gateley have signed with WME. DiSanto and Gateley happen to be without agency representation simply because they left the cable funnel within the finish of 2010 to create DiGa, an unbiased production company setup just like a partnership with Ben Silvermans IAC-backed Electus. At WME, DiGa will probably be represented by Sean Perry and Lance Klein round the unscripted side by Ari Greenburg for scripted. DiSanto and Gateley have saved a small profile since beginning DiGa within the month of the month of january but have quietly offered a slew of reality and scripted projects and signed volume of talent development deals within the last 9 several days. They still work as executive producers round the MTV series Teen Wolf, the duo developed and tend to be attached to the Weinstein Co.’s American Werewolf London feature remake. At MTV, where DiSanto offered as leader of programming and Gateley as mind of series development, the two have multiple series obligations. DiGa expects to remain independent but can be obtained to joining track of art galleries on projects which is exploring home based business models. Furthermore to TV and film, DiGa, that's situated in NY City getting a production/edit center in La, may also be confused in digital space.

Magnolia Pictures Takes U.S. Rights to 'Roadie'

Magnolia Pictures has acquired U.S. rights for the indie drama Roadie, directed by Michael Cuesta (L.I.E.).The business plans a release through its Ultra VOD program 12 ,. 2, a theatrical release Jan. 6. Ron Eldard stars just like a longtime roadie for Blue Oyster Cult who returns where you can Forest Slopes, Queens after losing his job and can get wrongly identified as old secondary school pals.Bobby Cannavale, Jill Hennessy and Lois Cruz co-star. Gerald Cuesta and Michael Cuesta written the script. Mike Downey and Sirad Balducci produced. PHOTOS: Tribeca Film Festival Buzz Films With 'Roadie' "Roadie features a career-best performance from Ron Eldard and he's matched up up completely with the ensemble," mentioned Magnolia leader Eamonn Bowles. "Michael Cuesta has genuinely produced an awesome film that will resonate with anybody who's required to revisit where they came from from.Inch Magnolia professionals Dori Begley and Chris Matson talked about the sale with Kevin Iwashina and Christine D'Souza of Preferred Content and Graham Taylor of WME Entertainment regarding the filmmakers. Magnolia recently releasedPage One: Yearly Inside the NY Occasions, Blackthorn, Excellent Achievements and i am Love. Approaching releases include Melancholia, Take This Waltz, I Melt Together With Your Good Physician. VOD Ron Eldard Bobby Cannavale Jill Hennessey

Trace Cyrus & Brenda Song Engaged

First Published: October 15, 2011 6:41 PM EDT Credit: Getty Images Caption Brenda Song and Trace Cyrus are seen at the launch party for the new T-Mobile Sidekick 4G at a Private Lot in Beverly Hills, Calif. on April 20, 2011 LOS ANGELES, Calif. -- The Cyrus clan is expanding! Former Metro Station rocker Trace Cyrus, aka Mileys 22-year-old brother, has proposed to his girlfriend, Brenda Song. I am very excited to say, last week I asked my girlfriend Brenda Song to marry me and she said YES! Trace Tweeted on Friday. We are both very excited to be engaged! Miley also shared her excitement over The Social Network actress joining the family. Cant wait for Brenda to be a Cyrus :), Miley Tweeted on Friday. Couldnt be more excited about my sister in law to be yay :) Trace and Brenda first stepped out together at Nylons Young Hollywood Party in May 2010. As previously reported on AccessHollywood.com, in August, Celebuzz reported the now-engaged couple was expecting a child. Reps for Brenda and Trace were not immediately available for comment when contacted by Access Hollywood at the time and the duo has yet to respond to the pregnancy rumors. Copyright 2011 by NBC Universal, Inc. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

'Avatar' and 'The Dark Knight' Probably the most Unlicensed Movies Ever

Imagine the amount of money "greedy motherf--ker" James Cameron may have made on 'Avatar' whether or not this wasn't stolen by dastardly Internet pirates. With different study within the website TorrentFreak, 'Avatar' -- the finest grossing movie ever -- is regarded as the unlicensed movie ever. The film -- which, as THR notes, was suggested with the director because the best hope against piracy because of 3d -- remains unlawfully downloaded 21 million occasions, two million greater than runner-ups 'The Dark Knight' and 'Transformers.' The Three films made over $700 million worldwide, however DVD revenues may have been hurt with the illegal downloads. Elsewhere available, blockbusters like 'Inception,' 'The Hangover,' 'Star Trek' and 'Pirates in the Caribbean: At World's Finish.' Most likely probably the most surprising records? 'Kick-Ass' -- the only real film among the ten to not gross $100 million laminator tl901 office -- as well as the considerably belittled 'The Incredible Hulk' with Edward Norton. Mind to TorrentFreak for your full list. [TorrentFreak via THR] [Photo: Everett Collection] RELATED: 'Avatar' together with other Movie Theme Park Rides 6 Other Movie-Based Theme Park Rides In recognition of 'Avatar' as being a ride, six other films that have get to be the theme park treatment. Towards the FutureStar TrekIndiana JonesHostelHarry PotterStar Tours (Alien) See All Moviefone Galleries » Follow Moviefone on Twitter Like Moviefone on Facebook RELATED

'Lone Ranger' rides on fee cuts, less Disney risk

DeppBruckheimerWalt Disney Galleries and Jerry Bruckheimer are becoming in the saddle for "Lone Ranger," but in a lower budget, with costs for principal gamers reduced 20% and Bruckheimer Films saying yes to pony up for just about any cost overruns.A few several weeks following the Mouse House balked in a steep $250 million price for that Gore Verbinski-helmed Western, the 2 sides have pared lower your budget nearer to $215 million and zeroed in on the era date which will change it from the original 12 ,. 21, 2012 berth, using its production start postponed from November to Feb, sources near to the project stated.Despite over-blown reviews that Disney drawn the plug around the bigscreen adaptation in August, the pic never was dead construction of recent Mexico sets were placed on hold, as producers lassoed within the plan for the Western.To be able to keep costs down, the script by Justin Haythe ("Revolutionary Road") and "Pirates from the Caribbean"-franchise scribes Ted Elliott and Terry Rossio was reworked to get rid of some pricey f/x sequences including supernatural elements, sources told Variety. Verbinski, Bruckheimer and stars The Actor-brad Pitt and Armie Hammer also reduced their costs by 20%, with certain obligations deferered before the box office results start arriving.When the budget goes past the brand new decided number, Bruckheimer -- not Disney -- would need to purchase overages.Disney rejected to comment Wednesday, and it has remained mother throughout the settling process."Lone Ranger" stars Hammer because the masked crime fighter and Depp as his Native American partner Tonto, together with Tom Wilkinson and Ruth Wilson. The actioner was always imagined like a high-profile tentpole for Disney and Bruckheimer. Disney is eager to utilize Depp again on the potential new franchise, following the 4th "Pirates'' pic hauled in additional than $1 billion in the worldwide box office. "Alice's adventures in wonderland," by which he performed the Mad Hatter, also gained a lot more than $1 billion. Studio continues to be marketing Depp's participation with "The Lone Ranger" since 2008."Lone Ranger" reteams Depp with Verbinski, who helmed the very first three "Pirates" photos (in addition to "Rango," which Depp voiced), and Bruckheimer, who created them.Inspecting your budget should not come because an unexpected, with galleries frequently brushing on the film's costs before a movie will get the greenlight, especially at cost-conscious congloms.Disney is at the time of creating several tentpoles with budgets north of $200 million, including "Oz, the truly amazing and Effective" and "John Carter."It's area of the Mouse House's mandate to concentrate more about qualities that all the company's divisions can usually benefit from by creating consumer items, amusement parks, videogames and Television show spinoffs. As Disney chief Bob Iger stated throughout a current earnings call with experts, the studio can make "films which are bigger and progressively more dangerous," but reduced how big its slate moving forward.The Lone Ranger character was initially introduced inside a 1933 radio show, produced by George W. Trendle and produced by Fran Strike, before turning out to be a TV series throughout the nineteen fifties and spinning off into movies and comicbooks.Disney required to lock lower a start date, considering the fact that Depp's dancecard is filling. He's presently shooting Tim Burton's adaptation of "Dark Shadows" at Warner Bros., and lately signed to create and star inside a remake of "The Thin Guy," and Television show "Kolchak: The Evening Stalker" at Disney. He's also thinking of getting a pic according to Paul Revere. Contact Marc Graser at marc.graser@variety.com

Sex and the City's Kristin Davis Adopts a Baby Girl

Kristin Davis Kristin Davis has followed in the designer footsteps of her Sex and the City character and has adopted a baby girl, People reports. Davis, who played Charlotte on the HBO series and the two subsequent movies, adopted daughter Gemma Rose Davis over the summer. (Fun fact: Rose is the name of Charlotte and Harry's other child on SATC.) Sex and the City 2 leads the Razzie Awards "This is something I have wanted for a very long time," Davis told the magazine. "Having this wish come true is even more gratifying than I ever had imagined. I feel so blessed." Davis can next be seen in Journey 2: The Mysterious Island, the sequel to 2008's Journey to the Center of the Earth.

Disney To Re-Release More Classic Films After 'Lion King' Success

It seems that the old saying "everything old is new again" holds true at the box office as well. After a successful run for "The Lion King," which hit theaters in 3-D last month for a limited run, Disney will release several more classic flicks to theaters. The Associated Press reports that after the re-release of the beloved 1994 film has grossed about $80 million at the box office there are plans to release four more. What will hit your local Cineplex? "Beauty and the Beast" arrives in January 2012 and "Finding Nemo" in September of that year. "Monsters Inc." will hit in January 2013 with "The Little Mermaid" following close behind in September 2013. The studio seems excited by all the nostalgia and the prospect of introducing these classic pictures to a whole new generation of animation fans. In a statement, Disney Studios President Alan Bergman said that Disney is "thrilled to give audiences of all ages the chance to experience these beloved tales in an exciting new way." He continued that "great stories and great characters are timeless, and at Disney we're fortunate to have a treasure trove of both." When MTV News spoke to Jonah Hill recently he commented on the re-releases. His flick, "Moneyball," went up against "The Lion King" and lost. He noted his concerns about just re-releasing films instead of trying to come up with brand new ideas. "I'm not mad at 'The Lion King,' " Hill said with sincerity and a smile. "I just think if everyone goes to see a movie that's 20 years old getting re-released, they're just going to re-release 20-year-old movies instead of making new original movies, and that would be a shame." Tell us what you think of the re-releases in the comments section and on Twitter!

Dancing with the Stars Episode Recap: Tuesday, Oct. 4, 2011

Dancing with the Stars hits the single digits as it cuts down to nine couples. Did Chaz make another comeback, or was there a shocking boot? Plus: Chubby Checker drops by.So Cher the serial tweeter vows to come next week should Chaz survive tonight. Last-ditch voting ploy for her boy? Was she jealous he danced to a Sonny song and not one of hers? Will the show rig the results to snatch Cher? I kid, I kid. Sort of. Dance-wise, Chaz should be the one going, but bringing up the rear yet again ought to galvanize his fan base. And he's only three points off the second-lowest couple, Nancy and Tristan.We get down to business after a wigged-out Mary J. Blige opens the show by going old-school with "Real Love" (yes, it's almost 20 years old, but Kristin might think it was also big in 2005). First three safe couples:J.R. and KarinaRicki and DerekChaz and LaceyABC really wants Cher on the show. Again, I kid. So save a seat for Cher next week! Maybe Kris Jenner's?Next two safe couples:Rob and CherylNancy and TristanCarson and Anna, and Hope and Maks are in jeopardy.At this point, I'm more concerned about Hope than Carson. He has the entertainment factor and constant wit ("I think I broke a cheekbone when I leaned in to kiss Bruno... or maybe I just moved some filler.") that easily wins over viewers. Hope, on the other hand, doesn't have that big personality and hasn't had a breakthrough performance yet. My favorite part of this whole segment, though, was a shot of Kris Jenner whispering to Kim last night that Rob did a good job, and Kim apathetically agrees, never turning from the camera. Priorities, people.Next is, admittedly, one of the show's better time-wasters: a 6 Degrees of DWTS linking the stars. Some of the connections were obvious (Kristin dated Brody Jenner, stepbrother of Rob), while others were interesting (Ricki bought a house from Courteney and David) and others were so Hollywood (Chaz and Chynna had playdates because their moms were friends). It's a small world after all... fitting since this is ABC.To gear us up for movie scores week - concocted to coincide with Julianne Hough's long-awaited homecoming next Tuesday to promote Footloose - Val choreographs a gorgeous number to the Gone with the Wind theme, one of my all-time favorites. At the risk of sounding like a total nerd, I'm a complete sucker for movie scores. And not that you asked, but my movie scores playlist is the most-listened to one on my iPod. But I digress. The Macy's Stars of Dance follows to mark the 50th anniversary of The Twist, with an assist from Estelle, Len... and Chubby Checker himself. I'm pretty sure he's wearing his Dungaree outfit from 50 years back, but still, it's a very cool, retro get for the show.After another Mary J. performance and a semi-bearable group interview with Brooke - during which Nancy densely references "the twins" (aka her kids) without a hint of irony - the remaining three couples hit the stage.Next two safe couples:Chynna and TonyDavid and KymKristin and Mark are still in jeopardy.Carson and Anna are declared safe, leaving Kristin and Mark, and Hope and Maks as the final two. Unlike last week, we won't learn the actual bottom two.And the couple leaving is... Kristin and Mark.Not that surprising once Chaz was safe. I still think Chaz should've gone, but I don't think Kristin would've lasted that much longer. Reality babes don't have a great track record, talent (Audrina) or not (Kim). "I'm a little surprised, I'll be honest," Kristin says, before thanking Mark and the show.Tom invokes The Legend of Sabrina Bryan, accusing viewers of thinking the two were safe and not voting. Or maybe they just didn't want to vote for them? She wasn't that great nor that well-liked. Mark is pissed and agrees. Of course. At least we'll be spared of his mugging and showboating now.So that's all for Week 3. What did you think of the results? Did the right person go home? Will Cher really come next week? Did ABC rig the results? (I kid. Seriously.) Did you do The Twist too? Are you as excited for movie scores week as I am? Who's your current pick to win? show less

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Glam Slam: Makeup Mondays - Go For The Pink

First Published: October 3, 2011 4:31 PM EDT Credit: WireImage LOS ANGELES, Calif. -- Caption Elizabeth Hurley poses for photos at the Estee Lauder Companies Breast Cancer Awareness Month at Selfridges on September 29, 2011 in LondonThis month use your beauty bucks to help fight against Breast Cancer with these special products donating to the cause. ESTEE LAUDER Elizabeth Hurley continues her partnership with the legendary beauty brand and this year the actress has created the Elizabeth Hurley Pink Ribbon Collection, featuring a Pure Color Crystal Lipstick in Lavish Pink and a pink accessory bag. Twenty percent of sales will go to the Breast Cancer Research Fund. $24.00 at www.esteelauder.com BOBBI BROWN The beloved makeup mogul offers a Limited Edition Lip Set featuring Bellini High Shimmer Lip Gloss and Pink Lip Color. Both are soft pink shades that are universally flattering. Bobbi Brown Pink Ribbon Collection High Shimmer Lip Gloss and Lip Color $44.00 while supplies last. www.bobbibrowncosmetics.com LA MER The upscale company is donating $10 from each limited edition Pink Ribbon Lip Balm sold during October to the Breast Cancer Research Foundation. La Mer: The Lip Balm is available at department stores including Saks Fifth Avenue and Bloomingdales as well at www.lamer.com. SONYA DAKAR The skincare maven is bringing back her Limited Edition PINK Organic Omega Booster serum for BCA and is donating 10% of proceeds to The Beauty Bus Foundation, which provides free in-home beauty services to those whose illness or condition prevents them from accessing a salon or spa. $42 www.sonyadakarskinclinic.com JO MALONE How many times have Glam Slam readers heard me proclaim my love for Jo Malone? The scents are heavenly (Wild Fig & Cassis and Nutmeg & Ginger are my colder weather favorites!) and the company will donate $25,000 to the Breast Cancer Research Foundation. www.jomalone.com AVON The company has created a few empowerment products to help battle the deadly disease, including the Breast Cancer Crusade Foot Works Overnight Renewing Foot Cream and Comfort Socks. 100% of net profits from both items go to the Avon Breast Cancer Crusade. Cream, $6.00 and Socks, $4.99 available through an Avon Sales Representative and online at www.avon.com PHILOSOPHY 100% of net profits from the yummy smelling Shower for the Cure Pink Ribbon Shampoo Bath and Shower Gel goes to the Womens Cancer Research Fund. $20 www.philosophy.com BUMBLE AND BUMBLE Want to help fight cancer and get flexible hold? Bumble and Bumbles Spray de Mode does both! The company will donate $5 from the sale of each 10oz Spray de Mode to The Breast Cancer Research Fund during the month of October. www.bumbleandbumble.com OPI The famed nail brand launches the limited edition Pink Shatter: Pink of Hearts Nail Lacquer to support Susan G. Komen for the Cure. OPI will also be making its annual donation of $25,000 to Komen for the Cure. The limited edition Pink Shatter: Pink of Hearts is available for $8.50. www.opi.com Copyright 2011 by NBC Universal, Inc. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Will the 'Transporter' TV Series Deliver?

Around the eve of MIPCOM, the drama swirling round the worldwide co-production Transporter has been eyed carefully by producers and network developers all over the world. Following A Tudors, The Borgias, Combat Hospital and also the Support beams of the world, Transporter may be the latest within the new wave of high-finish drama series funded and created outdoors from the U.S. that aims to draw in audiences in Europe and The United States.our editor recommendsMIPCOM Gears Up for Memorable 27th EditionABC's TV Series 'Missing' to Screen at MIPCOM Conference Even among the corporation, Transporter -- according to Luc Besson's hit action film franchise with a financial budget of $3.3 million a chapter -- is perhaps probably the most ambitious. Whether it works, it might create a slew of worldwide made British-language series, a few of which happen to be within the pipeline. Airing on Cinemax within the U.S., Transporter can also be key because unlike a miniseries like Support beams of the world, the show is really a one-hour drama -- the meat associated with a funnel's schedule. Within the U.S., cable shops for example AMC and Forex and pay-TV systems like Showtime, Starz and Cinemax are progressively using original series to brand their systems. But drama is costly, and frequently even effective U.S. shows -- think Breaking Bad, Mad Males or Justified -- have battled to obtain on primetime within the large European marketplaces. STORY: 'Transporter' Retools By Employing Steve Shill and Karen Wookey For Production Supervision Transporter's worldwide model, theoretically, solves individuals problems. However the show is breaking lots of rules, and there has been some early difficulties. Additionally towards the logistical head aches of creating a European production in British, turning Toronto into Paris or Berlin and remaining in keeping with Besson's original vision while satisfying the show's multiple worldwide producers, recent reviews concerning the departure of two showrunners have cast a cloud of uncertainty around the way forward for the Transporter experiment. Will it be achieved? Klaus Zimmermann, whose French firm Atlantique is creating Transporter with QVF in Canada, states the reply is yes. "We're creating a show that will work on U.S. cable and simultaneously on European network primetime. This is actually the model," he states. Transporter creator Besson has become behind the project, giving its producers full creative freedom for his or her small-screen adaptation. EXCLUSIVE: 'Transporter': 'Lost's' Stephen Williams to Helm Pilot "I don't understand how to make Television shows -- I let those who understand how to get it done go on and hope they're doing their job," Besson told THR. That job has demonstrated problematic. Days in to the shoot, showrunners Frederick Mallozzi and Paul Mullie abruptly left the development, stating "creative variations." British director Steve Shill (Dexter, Desperate Average women) and veteran supervisory producer Karen Wookey (Andromeda) came aboard. "We'd just finished shooting the 4th episode [from 12] and preparing the following two whenever we separated ways using the production," Mallozzi told THR without giving any particulars. Adds Zimmermann: "There is no drama, no large clash, no hard feelings, with no scandal." But there certainly continues to be upheaval around the set, with sources showing the director of photography and also the costume designer happen to be changed as cash from the electrical and transportation models as Shill makes key changes. EXCLUSIVE: German Star Goalkeeper Oliver Kahn Launches Soccer-Flavored Undertake 'American Idol' at MIPCOM The modification in on-set leadership is essential since Transporter wasn't while using traditional showrunner type of production. Under that model, just one showrunner -- like David Chase around the Sopranos -- functions because the creative driver. But on Transporter, the actual star may be the brand itself -- a franchise whose three features make a collective $238 million worldwide and still see top rankings once they air on television around the world. Therefore the show's producers took what is known as the Marvel Galleries approach. Rather than a showrunner's individual vision, everybody on Transporter is intended to be trying to deliver a TV version from the film brand. "In The Usa, the rule is, "One show, one showrunner." But that wasn't the situation for Transporter -- it had been a collective effort," states Zimmermann. "Whenever you're using a franchise, you need to safeguard the integrity of the trademark. Showrunners may appear and disappear, however the brand stays." Fred Fuchs, the show's Toronto-based executive producer, adds the show's unique sensibility only increases the impossibility of converting it towards the small screen. "The experience isn't typical action, there's a Luc Besson story style that people're attempting to keep within the series," Fuchs states. Indeed, the Transporter/Besson brand is exactly what the producers offered towards the series' host systems, because both versions set up about 25 % to 30 % from the show's budget. STORY: MIPCOM Gears Up for Memorable 27th Edition But based on Mallozzi, this allegedly showrunner-free model was one of the greatest causes of onset friction. "A brandname will offer you a good template for any show," he states, "however, you need someone in control to call the shots making the creative choices. The ship doesn't sail itself." You will find other logistical challenges attached to the production -- most famously of the balanced exercise of attempting to fulfill four broadcast co-producers across two continents. Sources indicate the 4 broadcast partners -- RTL in Germany, France's M6, Cinemax/Cinemax within the U.S. and Cinemax Canada -- received a personal screening in Toronto at the end of September that got mixed reviews, underlining the requirement for creative enhancements. A representative for M6 declines this, adding the network is planning media visits towards the shoot soon to quell any gossips of on-set turmoil. Takis Candilis, Boss of Atlantique parent company Lagardere, also declines that there have been any issues with the Toronto screening, adding that "everybody is satisfiedInch with the way the show is turning out. Whatever Transporter's on-set head aches, the worldwide financing model has already been increasing in popularity. The very first season of Canadian/U.K. production Combat Hospital broadcast on ABC and Global in Canada this season. Atlantique is within talks with Fox in regards to a possible franchise project occur ancient Egypt. Starz and BBC Worldwide, which partnered for that year of BBC's aliens-among-us series Torchwood, have joined right into a multiyear partnership to build up, produce and distribute original drama series. Germany's Tandem Communications -- producers of Support beams of the world -- have four lengthy-running series projects in development, such as the sci-fi crime drama The Sector, that they are developing with Ridley and Tony Scott's Scott Free shingle. Like Support beams, The Sector is going to be made while using traditional showrunner model, and Simon Mirren (Criminal Minds) continues to be drawn on to fill that role. Tandem co-mind Rola Bauer states that ultimately, the way a show will get made is less important than, ultimately, it provides. STORY: ABC's TV Series 'Missing' to Screen at MIPCOM Conference "Showrunner or otherwise, the development model isn't as essential as obtaining the voice right," Bauer states. "Transporter is clearly an excellent brand, also it's extremely important they respect that brand. As lengthy because they respect it and deliver the standard that fans from the film franchise expect, everybody is going to be happy. "I really hope all of the worldwide models work," she adds, "since it will open doorways for people. Tv stations within the U.S. know they are able to't keep putting the money up for his or her own series." Now home in Vancouver, Mallozzi is positive -- and diplomatic -- about Transporter's future: "You will find lots of gifted people focusing on the show. I'm confident that it'll do well and prosper.Inch TRANSPORTER Through The Amounts Budget: $40 million Presold Areas: 13 Co-Producers: 8 Episodes: 12 Authors: 5 Executive Producers: 6 Related Subjects Luc Besson MIPCOM

'American Horror Story' Brings the Haunting Home

NEW You are able to (AP) Just whenever you needed it, the Forex network is tossing "American Horror Story" to you.To evaluate from the first couple of episodes, it is a robust diversion in the real-existence droughts and severe weather, joblessness and political stalemate which were already providing you with the willies. It aspires to become "The Shining"-meets-"Rosemary's Baby," with "Barbara" and "Don't Look Now" thrown in. But greater than a dead-on horror show, it is a homage to motion picture spookery. And a high quality one.In a nutshell, "American Horror Story" does not really scare you. It simply will get inside your mind.The large unknown: Could it be clever enough to remain there, every week?Notify: Spoilers approaching that is one other way of saying you may equally well apply time you'd spend reading through this to watching the premiere (which airs Wednesday at 10 p.m. EDT), then creating your personal mind. Its an unforgettable experience, a minimum of.In the fertile creativeness of Ryan Murphy and Kaira Falchuk ("Glee," ''Nip/Tuck"), "American Horror Story" includes a premise that's easy and time-honored: A haunted home is occupied with a pleasant, remarkably naive family.Ben Harmon (performed by Dylan McDermott) is really a Boston mental health specialist that has been caught cheating by his wife, Vivien (the wonderful Connie Britton of "Friday Evening Lights"). She already was spinning from the late-term miscarriage. They have to create a new beginning. They as well as their teenage daughter, Purple (Taissa Farmiga) pull-up stakes and mind mix-country for La.InchThis place is our second chance," Ben informs Vivien, whose forgiveness he frantically seeks if for not one other reason than because she has not rested with him for nearly annually.This place, the household's new homestead, is really a pending "classic L.A. Victorian in the 20's," based on the real-estate agent showing them around. However it appears a lot more like a vestige of "Monster Chiller Horror Theater," a domicile whose past citizens have, obviously, died gruesomely.Offered!When the aspects of this horror story appear second-character (you will find also creaking doorways and jars of icky lab individuals within the basement), they take the type of striking imagery that, sometimes, means they are as unsettling because they are familiar.It need hardly be pointed out the house, restored from the previous ramshackle condition, maintains disturbing items where the Harmons will stumble. For instance, a fetishist's vinyl bodysuit, filled with hood, is located hanging within the loft, with kinky effects.The home also includes strange neighbors. Jessica Lange plays Constance, a busybody Southern belle with a much more intrusive daughter, Adelaide, who (like Jamie Maker, representing her wonderfully) has Lower syndrome. Adult but childlike, the irrepressible Adelaide keeps busting in to the Harmon's home."Addie will invariably look for a means by," Constance informs Vivien matter-of-factly. "She's a bug up her ass relating to this house. Has.InchTogether with his practice placed in the household home, Dr. Harmon's ill-advised first client is really a teen psychopath (Evan Peters), who bonds using the Harmons' troubled daughter once they meet cute (if bizarrely) within the bathroom, where she's cutting herself.It gets better the weirdness available. Did we mention Moira, the longtime housekeeper (performed by Frances Conroy, past matriarch of "Six Ft Under")? She's the kind of spectral figure who alerts these new proprietors the house "includes a personality feelings. Mistreat it and you will be sorry.InchBut Ben sees Moira one other way. Spinsterish, middle-aged Moira seems to him as "Moira, Junior." (performed by Alexandra Breckenridge), an attractive youthful temptress having a scanty French-maid outfit along with a come-on look.This problematic illusion sparks the premiere's raciest interlude. Emerging nude in the shower, Ben spies Youthful Moira alone inside a bed room pleasuring herself. Inflamed through the vision, he retreats to a different room, still within the aficionado, where, moaning and whimpering, he will get themself off strongly.Talking about flames, the home appears to impose pyromania on individuals who inhabit it. Just consider former resident Ray Harvey (performed by Dennis O'Hare), who some time back incinerated his entire family, then emerged with grotesque scars in the inferno he set.Could this kind of incident repeat itself using the Harmons? Ben, all of a sudden grabbed through the urge to strike matches while sleepwalking, appears, underneath the house's spell, to become a firebug within the making.The premiere dumps numerous major questions about the crowd, such as the most fundamental: So why do the Harmons hang in there within this crazy house? Through the finish from the second episode, Vivien has already been frustrated. She's prepared to vacate. With no person in the crowd would argue together with her.Who knows exactly what the future brings for "American Horror Story"? Will it still jolt and engage the crowd? Will the explanation to keep the Harmons chilled within their macabre manse be adequate to help keep audiences returning each week?Copyright laws 2011 Connected Press. All privileges reserved. These components might not be released, broadcast, rewritten, or redistributed.

Cheryl Hines on Mocking, Embracing the Suburbs in ABCs New Comedy Suburgatory

Cheryl Hines, Suburgatory As Suburgatory's Dallas, Cheryl Hines is a big-haired, energy drink-chugging, slang-slinging suburban mom straight out of Bravo's Real Housewives. She just wants the best for her daughter, Dalia, and so she buys her too-short shorts and even tighter tops, all of which stuns city girl Tessa, their new neighbor who, with her single dad, George, just moved into town from Manhattan. It's through Tessa's horrified eyes - and uber snarky narration - that viewers are introduced to a version of suburbia ripe for the mocking, where pastel sweatsuits and frozen lattes are still the uniform and meal of choice for moms and every girl in high school is recovering from a nose job. In the first episode of the ABC comedy (premiering Wednesday at 8:30/7:30c), Dallas offers to help ease Tessa (Jane Levy) into her new life by taking her to the mall where Dallas can help her out of her "lesbian boots" and into "a nice heterosexual dress shoe." "To be the star of a reality show called Real Housewives, that would be a real dream come true for Dallas," Hines (Curb Your Enthusiasm) explains to TVGuide.com. "She's very influenced by those women, very put together, slightly glamorous - and let's be honest: there is nothing wrong with that." Zombieland, boob jobs and spray tans collide in Suburgatory Suburgatory, from executive producer Emily Kapnek (Parks and Recreation), is what Hines calls a loving satire, sending up the strange subculture of tanned-to-the-max denizens while never overlooking the real people who live there or why most of the country calls the suburbs home. Dallas, Hines says, is overly manicured but not all bad. And of all the characters on the show, she's also the most comfortable in her own skin. So before you laugh - and Hines is laughing - the benefit of the doubt is in order. "I understand the trappings," Hines says."I understand a woman who validates herself by getting attention from the opposite sex. I have a friend who is that to a T... Doesn't mean she isn't a good person. That's a funny character to play." Dallas takes an immediate shine to George (Jeremy Sisto) - a goofy but charming guy's guy-- and he, somewhat surprisingly, to her. She goes about helping Tessa in her own way, but nurture is nurture, says Hines. "Why would he be friends with this lady next door who's so superficial? Because there's a little part of her that's not, and that's like a little gold mine that he doesn't have in his life." Check out our fall preview for galleries, scoop, premiere calendars and more! Those nuances are how the show aims to set itself apart from other broader comedies, she says. "You do see what can be silly about the suburbs, what can be superficial about them. You take it as far as you can and it's funny," Hines says. "But you also see kids riding bicycles, neighbors being nice to each other, parents helping other people's children. The suburbs are the American dream, right? Living in a nice house, having a good job, a happy family." Check out a preview for Suburgatory below. Will you tune in?

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